|Trim Size / Pages||9 x 6 in / 560|
From Peter the Great to Putin, this is the unforgettable story of St Petersburg—one of the most magical, menacing, and influential cities in the world.
St. Petersburg has always felt like an impossible metropolis, risen from the freezing mists and flooded marshland of the River Neva on the western edge of Russia. It was a new capital in an old country. Established in 1703 by the sheer will of its charismatic founder, the homicidal megalomaniac Peter the Great, its dazzling yet unhinged reputation was quickly cemented by the sadistic dominion of its early rulers. This city, in its successive incarnations—St. Petersburg, Petrograd, Leningrad and, once again, St. Petersburg—has always been a place of perpetual contradiction. It was a window to Europe and the Enlightenment, but so much of Russia’s unique glory was also created here: its literature, music, dance and, for a time, its political vision. It gave birth to the artistic genius of Pushkin and Dostoyevsky, Tchaikovsky and Shostakovich, Pavlova and Nureyev. Yet, for all its glittering palaces, fairytale balls and enchanting gardens, the blood of thousands has been spilt on its snow-filled streets. It has been a hotbed of war and revolution, a place of siege and starvation, and the crucible for Lenin and Stalin’s power-hungry brutality. In St. Petersburg, Jonathan Miles recreates the drama of three hundred years in this paradoxical and brilliant city, bringing us up to the present day, when its fate hangs in the balance once more. This is an epic tale of murder, massacre and madness played out against squalor and splendor, and an unforgettable portrait of a city and its people.
Cultural historian Jonathan Miles was born in a trunk and has been traveling ever since. He received his doctorate from Jesus College, Oxford University, and his written biographies of British artists Eric Gill and David Jones. He is the author of The Wreck of the Medusa and The Nine Lives of Otto Katz. He lives in Paris.
“Miles’s spellbinding account of this magnificent yet tragic city reflects the passions, triumphs, and colossal failures of Russia itself. Thoroughly documented and illustrated, this is an eloquently written tribute to a legendary city.” Booklist
“Jonathan Miles’s cinematic telling shows how the drama, the absurdity, the splendor and the squalor of the imperial capital all found their way into Russia’s finest novels, operas and paintings. In this compelling account of St Petersburg’s turbulent history, Miles peels back the layers of myth in which the city is swaddled, while never losing sight of its haunting grace.” The Guardian
“Lively and entertaining biography. Full of sparkling storytelling and well drawn characters. A delight.” The Sunday Times
“This extraordinary book brings to life an astonishing place. Beautiful prose renders it brutally vivid, [with] delightful style and an acute sense of absurdity.” The Times, Book of the Week (London)
“Biographer and historian Miles spans three centuries in this profile of St. Petersburg.” Publishers Weekly
“Miles' history has a substantial foundation, but what makes it special is the sheer inescapable momentum of his prose, powered by the captivating intensity of his attachment to his subject. His overwhelming concatenation of fact, observation and opinion is a dazzling history of a dazzling city over centuries of physical and political challenge.” The Art's Desk (London)
“A brilliant history. So fluent, so textured is Jonathan Miles’s ease with prose and argument that his vivid dissection of three hundred years of St Petersburg’s history should be devoured in captive sittings. This is a storyteller entranced with his subject, who makes its brilliant portrayal look deliriously easy.” The Observer
“An expansive portrait of the calamity-laden urban center of European Russia. Vigorous and readable.” Kirkus Reviews
“Compulsive and page-turning.” Bloomberg News
“ Praise for The Wreck of the Medusa: Grippingly recounted. Miles' narrative is brilliantly meted out. ” The New York Times
“Of all cities St Petersburg is most like a novel. Conceived in the mind of a Tsar like a writer might give birth to a book,it has never ceased to be relentlessly dramatic, as if being like a novel is its destiny. Miles tells the tale magnificently. ” Peter Pomerantzev, author of Nothing is True and Everything is Possible