|Trim Size / Pages||9 x 6 in / 368|
Coinciding with the 200th anniversary of the publication of Frankenstein in 1818, a prize-winning poet delivers a major new biography of Mary Shelley—as she has never been seen before.
We know the facts of Mary Shelley’s life in some detail—the death of her mother, Mary Wollstonecraft, within days of her birth; the upbringing in the house of her father, William Godwin, in a house full of radical thinkers, poets, philosophers, and writers; her elopement, at the age of seventeen, with Percy Shelley; the years of peripatetic travel across Europe that followed. But there has been no literary biography written this century, and previous books have ignored the real person—what she actually thought and felt and why she did what she did—despite the fact that Mary and her group of second-generation Romantics were extremely interested in the psychological aspect of life. In this probing narrative, Fiona Sampson pursues Mary Shelley through her turbulent life, much as Victor Frankenstein tracked his monster across the arctic wastes. Sampson has written a book that finally answers the question of how it was that a nineteen-year-old came to write a novel so dark, mysterious, anguished, and psychologically astute that it continues to resonate two centuries later. No previous biographer has ever truly considered this question, let alone answered it.
Fiona Sampson is a poet who has been shortlisted twice for the T.S. Eliot Prize and the Forward Prize. She has received the Cholmondeley Award, the Newdigate Prize, and the Writer’s Award from the Arts Councils of England and of Wales, and is a Fellow of the Royal Society of Literature, a Fellow of the Royal Society of Arts, and a Trustee of the Wordsworth Trust. Please visit her at www.fionasampson.co.uk.
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“A narrative of mystical experience; free of God and dogma, but deeply aware of history and ecology. Sampson be among the pioneers of a newly emergent twenty-first-century incarnation of sacred poetry.” The Guardian [Praise for Fiona Sampson]
“Sampson’s verse feels alive.” The Times Literary Supplement [Praise for Fiona Sampson]