|Trim Size / Pages||9.3 x 6.4 in / 448|
A rich and evocative account of the life and work of one of the world's favorite composers—from the acclaimed author of Mozart’s Women.
In 1712, a young German composer followed his princely master to London and would remain there for the rest of his life. That master would become King George II and the composer was George Freidrich Handel. Handel, then still only twenty-seven and largely self-taught, would be at the heart of music activity in London for the next four decades, composing masterpiece after masterpiece, whether the glorious coronation anthem, Zadok the Priest, operas such as Rinaldo and Alcina or the great oratorios, culminating, of course, in Messiah. Here, Jane Glover, who has conducted Handel’s work in opera houses and concert halls throughout the world, draws on her profound understanding of music and musicians to tell Handel’s story. It is a story of music-making and musicianship, but also of courts and cabals of theatrical rivalries and of eighteenth-century society. It is also, of course the story of some of the most remarkable music ever written, music that has been played and sung, and loved, in this country—and throughout the world—for three hundred years.
Jane Glover, author of Mozart’s Women, has had a long and hugely successful career as a conductor. She has been Music Director of the Glyndebourne Touring Opera, Artistic Director of The London Mozart Players, and has conducted all the major symphony and chamber orchestras in Britain. She appears regularly at the BBC Proms and is a regular broadcaster for television series on Mozart. She lives in London.
“A biography of such gusto and brilliance that it is as pleasurable as informative. Glover illuminates every aspect of Handel’s work and describes the plots and musical distinctions of most of the operas and oratorios so fetchingly that the reader itches to hear and see them. She also brings Handel’s times and most constant collaborators, sponsors, and antagonists to vivid life as she keeps the rather-elusive maestro, who wrote almost nothing about himself, firmly in focus.” Booklist (starred)
“Grover brings all her knowledge and experience to bear in this thorough and revealing work about the prolific and prodigious George Frideric Handel. Lush and illuminating—a lovely structure built on a solid foundation of research, expertise, and affection.” Kirkus Reviews (starred)
“One of the most intriguing aspects of this biography is Handel’s relations with members of the British monarchy, who offered continuing financial support for his musical aspirations. Another strength is its description of the cultural and political setting in which Handel worked. Recommended for readers who wish to know more about Handel as an empresario for his own works.” Library Journal
“Glover, a respected conductor, views Mozart through the women in his life.” The New Yorker (Praise for Mozart's Women)
“A leading conductor of 18th-century music views Mozart's life through the women who surrounded him. The book's best work offers a close analysis of the operas, especially of the female roles and the women who inspired them.” Publishers Weekly (Praise for Mozart's Women)
“Glover uses her own experience as a conductor of Mozart's operas to give lucid and pertinent insights into the music. Glover neatly and satisfyingly ties up the loose ends in the story of this genius of astonishing musical miracles. Her passion for the music shines through this touching, vividly told story.” The Sunday Times of London (Praise for Mozart's Women)